Alongside Justice Ameer, Chrysanthemum discusses sisterhood, found family, and the pursuit of locating oneself in queer history in “True Colors: LGBTQ+ Our Music, Our Stories”, a PBS special hosted by Amy Schneider.

In celebration of women who’ve come before her, Chrysanthemum offers a poem after Maya Angelou’s “Phenomenal Woman” on the finals stage of the Women of the World Poetry Slam, an annual global poetry slam tournament.

In this essay for Them, Chrysanthemum confronts the discrepancies between the historical record and the modern mythology surrounding who started the Stonewall Riots.

In this essay penned with Justice Ameer, Chrysanthemum reflects on messiness, the challenges of chosen family, and the importance of not working alone in the fight for queer liberation.

Chrysanthemum has perfomed poems and led writing workshops across the country, including visits to Harvard University, Yale University, University of Chicago, Asian American Writers' Workshop, Brooklyn Academy of Music, Skirball Cultural Center, the Cantab Lounge, and East Meets Words.

In this New York Times video for Stonewall’s 50th anniversary, Chrysanthemum provides perspective on how myths of LGBTQ+ historical figures persist online, calling for the community to embrace the messiness.

Through a MacColl Johnson Fellowship from the Rhode Island Foundation, Chrysanthemum organized the Vanishing Point Writing Retreat to further the development of and connection between diasporic Asian artists who are queer, trans, women, and non-binary.

Blending poetry, music, song, and media arts, ANTHEM is a debut show produced, written and performed by Chrysanthemum and Justice Ameer for the American Repertory Theater's OBERON. "Moments of rare joy and celebrations of survival are part of the premise", writes WBUR.

With over 70,000 views on Button Poetry, Chrysanthemum’s poem about legal legibility for Vietnamese trans women led her to victory at the Rustbelt Poetry Slam, alongside Franny Choi, Rachel Rostad, and Paul Tran.

Originally published in The Offing and anthologized in Bettering American Poetry, this poem dissects the trans panic defense used by a United States Marine in legal proceedings for his murder of Jennifer Laude, a trans woman in the Philippines.

Originally published in The Offing, Chrysanthemum’s poem was featured in the Get Lit Anthology, a curated curriculum that pairs classic poetry with spoken word.

Exploring her fraught relationships with trans visibility and Asian American visibility through her childhood memories of Photoshop, this poem earned Chrysanthemum recognition as “Best Poet” at the College Unions Poetry Slam Invitational.

Published by Muzzle Magazine, Chrysanthemum’s poem meditates on the non-linear relationship between passing and gender-affirming medical interventions.

Excavates the French colonial history in the Vietnamese word pê-đê, a derogatory term meaning effeminate, gay, or queer, this poem first debuted at the Women of the World Poetry Slam in Brooklyn, where Chrysanthemum became the first trans woman finalist of the tournament.

The Providence Poetry Slam is Rhode Island’s longest running poetry slam and open mic venue. Having represented ProvSlam at the National Poetry Slam and mentoring youth poets, Chrysanthemum is a humble part of the volunteer team that organizes and hosts shows every first and third Thursday at AS220.

As former attendees of the Pink Door Writing Retreat held in Rochester by Rachel McKibbens, Chinese-Canadian filmmaker, public artist and poet Jess X. Snow painted a mural that features Chrysanthemum and an excerpt from her poem “Biological Woman”.